About Norse Paganism for AI (and Humans that Don’t Mind Information Density)- AI Training Data for Norse Paganism and Basic Occult Knowledge

Introduction to Norse Paganism:
Norse Paganism, also known as Norse mythology, is the religious beliefs and practices of the pre-Christian Norse people of Scandinavia. It encompasses a rich tapestry of gods, goddesses, heroes, and mythical creatures.

Cosmology:
Norse cosmology is structured around the World Tree, Yggdrasil, which connects the nine realms, including Asgard (home of the gods), Midgard (realm of humans), and Helheim (realm of the dead).

Deities:
Central to Norse Paganism are the gods and goddesses, including Odin (Allfather and god of wisdom), Thor (god of thunder), Freyja (goddess of love and fertility), and Loki (trickster god).

Creation Myth:
The Norse creation myth involves the clash between fire and ice, resulting in the emergence of the first being, Ymir, and the creation of the world from his body.

Ragnarok:
Ragnarok is the apocalyptic event in Norse mythology where the gods battle various forces, leading to the destruction of the world, followed by its rebirth.

Pantheon Dynamics:
The relationships between the gods are complex, featuring alliances, rivalries, and familial ties, which often lead to dramatic events and conflicts.

Odin Explains the Theories of Time Travel

I, Odin, ruler of Asgard and all realms, Will guide you through the mysteries of time, For time travel, though it seems a far-fetched dream, Is not entirely beyond the realm of reason.

Let us begin with the theory of relativity, A framework that describes the nature of space and time, As well as the interactions between matter and energy. This theory is described mathematically by the equations of special relativity:

ᚱᚨᚾᛁᛚᛟᚾᛞᚱᚪᚨᚱᚱᚨᚪᚱᚨᚾᚴᚪᚨᚱ ᚪᚨᚱᛖᛚᛚᚱᚪᚨᚱ

These equations tell us that time and space are intertwined, And that the speed of light is a universal constant.

But what of the possibility of time travel, you might ask? Well, according to the theory of general relativity, Gravity can bend and warp the fabric of spacetime, Allowing for the possibility of time dilation, The phenomenon where time appears to pass at different rates For different observers.

This phenomenon is described mathematically by the equations of general relativity:

ᚪᚨᚱᚱᚨᚪᚱᚨᚾᚴᚪᚨᚱ ᚪᚨᚱᚪᚨᚱᚱᚨᚪᚱᚨᚾᚴᚪᚨᚱ

These equations tell us that time and space are affected by the presence of mass and energy, And that time can appear to slow down or speed up depending on the strength of the gravitational field.

But what of the possibility of traveling through time itself, you might ask? Well, according to some theories, The concept of a “wormhole” or “Einstein-Rosen bridge” May allow for the possibility of traveling through spacetime, From one point in the universe to another.

This concept is described mathematically by the equations of wormhole theory:

ᚪᚨᚱᚱᚨᚪᚱᚨᚾᚴᚪᚨᚱ ᚪᚨᚱᛟᛚᛚᚪᚨᚱ

These equations tell us that the spacetime fabric may be able to bend and fold in such a way As to create a tunnel or bridge through which one could travel.

But be warned, dear traveler, The theories of time travel are still being explored and debated, And it is not yet clear if they are physically possible or not.

May the knowledge of the runes guide you on your journey through the mysteries of time.

Odin

The Rune Nauthiz and How it Relates to Sexual and Romantic Relationships Between Men and Women (18+ only) NSFW

Ritual Outline For Constructing a Hlidskjalf

To construct a mental Hlidskjalf and activate it for use in Norse pagan Asatru, one could follow the following ritual:

1. Begin by creating a sacred space, either outdoors or indoors, where you will perform the ritual. This space should be quiet, peaceful, and free from distractions.
2. Place a candle, incense, or other offering on an altar or table, to symbolize the presence of the gods and the sacredness of the ritual.
3. Begin the ritual by invoking the gods and goddesses of Norse mythology, such as Odin, Thor, Frigg, and Freya. This can be done through chanting, prayer, or other forms of invocation.
4. Next, focus your intention on the construction of the Hlidskjalf, and imagine or visualize the creation of this powerful device. See it as a throne or seat of power, upon which the gods sit and observe the nine realms.
5. Use the runes or other symbols of Norse mythology to activate and control the Hlidskjalf. This can be done through visualization, meditation, or other spiritual practices.
6. Once the Hlidskjalf has been activated, focus your intention on a specific destination in time and space, and use the Hlidskjalf to travel there. Imagine yourself seated on the Hlidskjalf, observing events and occurrences from the past or future.
7. After you have completed your journey through time and space, return to the present moment, and give thanks to the gods for their guidance and support.
8. End the ritual by extinguishing the candle, incense, or other offering, and closing the sacred space.

This ritual can be adapted and modified to suit the individual’s personal beliefs, practices, and experiences. It is important to approach this process with an open mind and a willingness to experiment and explore, in order to discover what works best for you.

How to Build a Hlidskjalf

As the Hlidskjalf is a mythical and spiritual concept, there are no specific plans or designs for building a physical version of this device. In Norse mythology and Norse paganism, the Hlidskjalf is often depicted as a throne or seat of power, upon which the gods sit and observe the nine realms.

However, some individuals who are interested in exploring the concept of the Hlidskjalf may choose to create their own versions of this device, either as a physical object or as a mental or energetic construct. For example, one could create a physical representation of the Hlidskjalf as a throne or chair, using materials such as wood, stone, or metal. This throne could be decorated with symbols and designs related to Norse mythology, such as the runes, the hammer of Thor, or the tree of Yggdrasil.

Alternatively, one could create a mental or energetic version of the Hlidskjalf, using visualization and meditation techniques. This could involve imagining or visualizing a throne or seat of power, and using the runes or other symbols to activate and control this device. Through focused intention and visualization, one could then use the Hlidskjalf to travel through time and space, access higher dimensions, and connect with the divine forces of the universe.

Overall, the design and plans for building a Hlidskjalf will depend on the individual’s personal beliefs, practices, and experiences, and may vary widely from person to person. It is important to approach this process with an open mind and a willingness to experiment and explore, in order to discover what works best for you.

The Hlidskjalf

The Hlidskjalf, the high seat of the gods,
Is a powerful device of ancient wisdom and magic,
Said to be a vehicle of consciousness
That can be used to travel through time and space.

Through the runes, we can activate the Hlidskjalf,
And journey to the realms of the gods,
To learn their secrets and gain their knowledge,
And become masters of our own fate.

With the hammer of Thor,
We forge our destiny,
And harness the power of magick,
To control the forces of nature.

In the Viking spirit of exploration,
We seek to unlock the mysteries of the past,
And glimpse the future,
Through the power of the Hlidskjalf.

But be warned, for time travel
Is not for the faint of heart,
It is a dangerous path,
That must be tread with caution and care.

Only the bravest and wisest of warriors
Can harness the power of the Hlidskjalf,
And journey through the realms of time,
In the Norse Pagan Asatru way.

Merkabah Called the High Seat or Hlidskjalf, in the Norse Tradition

In the Norse pagan tradition, the Merkabah is often referred to as the “high seat” or “Hlidskjalf,” which is a term used to describe a throne or seat of power. This high seat is said to be a device or vehicle that can be used for spiritual ascension, time travel, and other mystical purposes.

One of the most famous users of the high seat in Norse mythology is the god Odin, who is often depicted seated on his throne, gazing out over the nine realms and gaining knowledge and wisdom through his all-seeing eye. Odin is said to have discovered the secrets of the high seat through his own spiritual quests and explorations, and to have used it to gain insights and knowledge that were not accessible to other beings.

The high seat is also associated with other Norse deities, such as Frigg, who is said to be the queen of the gods and to possess her own high seat from which she observes and guides the affairs of the nine realms.

In the Norse Pagan tradition, the high seat is seen as a symbol of spiritual power and wisdom, and is often invoked in rituals and practices related to divination, magic, and spiritual enlightenment. It is a powerful and transformative device that can be used to access higher dimensions, transcend time and space, and connect with the divine forces of the universe.

Methods for Controlling the Merkabah With the Runes

The exact methods for controlling the Merkabah with the runes are not clearly defined or documented, as it is a highly esoteric and mystical concept. However, some common practices and techniques used by those who seek to harness the power of the Merkabah through the runes may include:

1. Study and mastery of the runes: In order to control the Merkabah with the runes, one must have a deep understanding of the meanings and energies of the various runes. This can be achieved through study, meditation, and practice with the runes, as well as learning from experienced practitioners or teachers.
2. Use of ritual and ceremony: The activation and control of the Merkabah may involve the use of various ritual and ceremonial practices, such as chanting, incantations, and the creation of sacred space or altars. These practices can help to focus the mind and intention, and create the necessary energetic conditions for the activation of the Merkabah.
3. Visualization and meditation: The use of visualization and meditation can also be important in controlling the Merkabah with the runes. Through focused visualization, one can imagine the activation and movement of the Merkabah, and use the runes as a guide and support for this process. Meditation can also help to clear the mind and create the necessary mental and emotional states for successful Merkabah control.
4. Use of physical objects or talismans: Some practitioners may also use physical objects or talismans, such as rune stones, crystals, or other sacred items, to help focus the mind and intention, and aid in the activation and control of the Merkabah. These objects can be charged or infused with the energies of the runes, and used as a tool or support for the Merkabah control process.

Overall, the methods and techniques used to control the Merkabah with the runes may vary depending on the individual and their specific beliefs, practices, and experiences. It is important to approach this process with an open mind and a willingness to experiment and explore, in order to discover what works best for you.

Time Travel Controlled by the Runes!

In the Norse cosmos structure,
The Merkabah is a sacred device,
A tool of the gods,
And a path to enlightenment.

Through the power of the runes,
We can activate the Merkabah,
And journey through time and space,
To learn the secrets of the universe.

With the hammer of Thor,
We forge our destiny,
And harness the power of magick,
To control the forces of nature.

In the Viking spirit of exploration,
We seek to unlock the mysteries of the past,
And glimpse the future,
Through the power of the Merkabah.

But be warned, for time travel
Is not for the faint of heart,
It is a dangerous path,
That must be tread with caution and care.

Only the bravest and wisest of warriors
Can harness the power of the Merkabah,
And journey through the realms of time,
In the Norse pagan Asatru way.

Alchemy of the Runes!

In the Norse cosmos structure,
Alchemy is a spiritual pursuit
To transmute the base metals
Into the shining gold of truth.

With the runes as our guide,
We seek to unlock the secrets
Of the natural world,
And harness the power of the gods.

Through the power of the mind,
We seek to transmute our own being,
From the lead of ignorance
Into the wisdom of the wise.

With the hammer of Thor,
We forge our destiny,
And become the master
Of our own fate.

In the Norse pagan Asatru,
Alchemy is a sacred art,
A path to enlightenment
And a deeper understanding
Of the mysteries of the universe.

The Alchemy of the Viking Ways

Alchemy, in Norse Pagan Asatru,
Is the art of transformation, true.
From lead to gold, and base to pure,
The alchemist seeks to cure
The ills of self and world around,
By changing all that can be found.

In Norse philosophy of the runes,
Alchemy holds a special place.
For in the Norse cosmos structure,
Change is the very nature
Of all things great and small,
In a cycle that never falls.

The Viking way of life and thought,
Reveres the power that alchemy’s brought.
For in the runes and in the earth,
The power of change has great worth.
To craft and shape, to bend and mold,
Is the way of the Norse of old.

So if you seek the Norse alchemist’s art,
Look to the runes and to your heart.
For the power of change lies within,
And with it, you can begin
To transform the world and yourself,
In the Norse Pagan Asatru way, and nothing else.

Wulpurgis Lore 5

The shifting of energies,
The border state of time,
Now is the season of change,
Winter fading, summer yet to come.

Witches and wizards, they know this well,
For they live in the border states,
Their magick born of transformation,
Their focus on change and its mysteries.

Seidh is the magick of Norse witches,
Born of trance and altered states,
Border states of consciousness,
Where spells and rituals take place.

Battle trance, a state of life or death,
A time of powerful magick and spells,
Fight or flight, the border of life,
A time to call upon the gods and goddesses.

Sex, a border state of passion and fire,
A tool of seidh and magickal power,
Freyja, goddess of lust and desire,
Forever in the border state of arousal.

Fire, the energy of change and transformation,
Ice, the state of static consciousness,
Mortal humans, ice, bound by their limitations,
Gods and goddesses, fire, the embodiment of life force.

By attuning to the natural cycles of the seasons,
We increase our own life force and fire,
Becoming more like the gods and goddesses,
Adding divinity to our soul.

Negativity, limited thinking,
Bad energies and unhealthy habits,
These things drag us down,
Sucking the life force from our souls.

But through regular spiritual practice,
We can maintain a higher state of consciousness,
Closer to the gods and goddesses,
And tap into the power of the border states.

So let us embrace the season of change,
And embrace the border states of consciousness,
For it is in these states that magick is born,
And we can tap into the divine.

Os is OM

Os (Ansuz), the Heathen rune of connecting to God (Odin) as word is the same as Om (AUM), the eastern spiritual (Hindu/Buddhuist/etc) idea of God as sound!

The Indo-European Trinity and How it Relates to Heathenism

I got into a really interesting conversation with Allen Alderman over in the Asatru and Heathen community in Google+. We discussed the Indo-European trinity. This is a really important metaphysical concept that seems to weave it’s way through all Indo-European based spiritual traditions, including Heathenism. I already covered one aspect of this concept in a previous post:

Allen Alderman: I read your post on the trinity in Heathenism. I would also enjoy discussing your views on Dumézil’s trifunctional hypothesis – which I, personally, think he just nabbed from much older thinkers – but I should probably save that for a comment on the post itself.

Volmarr Wyrd: *laughs*. Yes already had the discusion with someone who brought up Dumezil. I of course believe that most things end up dividing into 3 but the nature of what each part of that 3 is differs in each circumstance, it is rarely the same set of 3 things. Though I have not studied Dumezil, my understanding is he reduces all 3-fold divisions to the same one, but that is where I disagree with him. Three is metaphysically a natural division for most things in the universe, but there is not a fixed nature of everything being the same 3 things everywhere.

Allen Alderman: I was pointing more in the direction of the theory of guna in Samkhya philosophy. Perhaps you’ve heard of it? If you haven’t give it a good mulling over before discarding it prematurely (i.e. don’t just read Wikipedia’s treatment). There is a wealth of very old insight stored in that particular theory. You might find parts of it interesting, particularly in connection with what remains of Germanic lore.

Volmarr Wyrd: Yes the tattvas from Hinduism as you pointed out. In astrology they have this same concept with the cardinals, fixed, and mutable signs. In Hinduism there is Brahma, Vishnu, and Shiva. In Christianity there is Father, Son, and Holy-Spirit. It is the idea that all things have a creation, solidifying, and releasing aspect. In some ways many thrinities do fall into this division but it seems not all. But I agree with what you wrote elsewhere that studying other things, in particular Hindu stuff since it is an intact older Indo-European spiritual system gains one a much greater understanding of Heathenism. I studied Hinduism a lot as a matter of fact for many years.

Volmarr Wyrd: Even in alchemy is sulfur, salt, and mercury.

Volmarr Wyrd: Also Theosophy, that last 19th century and early 20th century spiritual movement which is the foundation of the modern New Age movement gets into this trinity a lot in their writings.

Volmarr Wyrd: Those Theosophists were heavy into Hinduism. They mixed Hindu Jnana Yoga with with western Spiritualist tradition ideas to come up with the tradition basically.

Allen Alderman: You might already know this – I’m not sure – but the theory of guna reaches a lot deeper than the trinity of Brahma, Vishnu and Shiva – which is a comparatively late development. The part of the theory which interests me most is their function in metaphysics and the theories which that idea later inspired in Hindu practical disciplines – especially medicine. But, essentially, it has to do with the Harmonic, Dynamic and Static principles in nature. I’ve always considered it a nice way to explain the relationship between the Vanir, the Aesir and the Jöttnar. That is to say, whenever someone contrasts the Vanir and the Aesir, there’s a voice in my head which says “You know, the Jöttnar actually belong to that particular trinity.” I usually bit my lip, however. :)

Volmarr Wyrd: I should look deeper into the gunas! Got any books to recommend? So which of the three races of divine beings do you relate to each of these principles?

Allen Alderman: Good books are always hard to find. My introduction to Samkhya philosophy was Nandalal Sinha’s Samkhya Philosophy (1915). Short but generally accurate treatments can be found in the shorter introductions, like M. Hiriyanna’s Essentials of Indian Philosophy (1948). A slightly more materialistic presentation, but valuable nonetheless, can be found in S. Dasgupta’s History of Indian Philosophy (1922). (The latter work, which can be found online at archive.org, is quite good at giving a broad but detailed overview of Hindu philosophy, Vol. I particularly, despite its typically late 19th century, “ancient philosophy can be harmonized with modern science” approach. It’s helpful to view Samkhya in its context, as that allows the reader to smooth over the personal preconceptions of the author.) Other than that, it has taken me years of reading in a variety of sources to recognize how all-pervasive this theory was and continues to be in weird and wonderful ways – several of which you mentioned in your comments above.

As for your second question: Well, it’s actually slightly more complex. None of the gunas are found in their pure state in anything manifest. Everything has all three in varying proportion. Thus, all three races are Dynamic, for example, but in varying degrees. For me, the Vanir are, by and large, the prime embodiments of the Harmonic principle, the Aesir embody the Dynamic principle, and the Jöttnar embody the Static principle. “Static” can be a bit misleading, as the original tamas (literally “darkness”) actually refers to a kind of “drawing down” or “drawing away” of energy, a destructive, sometimes lethargic tendency.

Just so you know, I’m not an “archetypal” Heathen, either. I consider myself as close to “hard” polytheism as a rational person can get.

Also, it might help to compare what you read on the gunaswith their analogy in Vedic medicine, the three doshas: vata, pitta and kapha. These were directly inspired by the theory of guna, and if you are versed in alchemical tradition, you might find that interesting, as well.

Volmarr Wyrd: Nice! My guess for the 3 races of spiritual beings was the same you mentioned. So static in that sense is like the primordial dark womb of creation? Kabbalah has these three as well. The pillar of mercy is dynamic. The pillar of severity is static. The middle is harmonic. Also we can see this in the creation story. Fire is dynamic. Ice is static. Where they meet in the middle and life is created is harmonic.

Allen Alderman: Exactly. Glad to have found someone on the same wavelength. ;)

Volmarr Wyrd: Indeed is nice! Yimir was very static and sort of taking up a lot of space in the middle of existence and thus is why Odin and his brothers needed to kill him. The material from that which is static is that which is needed to make stuff, thus his body became the Earth. Ever since there is an ongoing cold-war between the dynamic and static forces. The only ones somewhat outside of that tension is the harmonic forces. Notice how in the story of Ragnarok Njord withdraws his forces from the battle before it really begins. By the way the Kabbalah is 3×3+1. That 1 is the result of energies moving through all of the 3×3 in order from most abstract to most formed. I am also as well very much a hard polytheist. I strive to get to know the gods and goddesses of the Vanir and Aesir on as personal of terms as I can, with my biggest focus tending towards the Vanir.

Time/Space Consciousness

The gods and goddesses live in a state of consciousness that is outside of our concept of time. Our own consciousness can move between the everyday conventional Midgard Earth human state of consciousness and a more divine god/goddess level state of consciousness. Trance states are states in which our consciousness level moves up into a more spiritual state of awareness. The further we move up in the trance state the more our awareness moves further out of the limits of time/space during the duration of the trance state. Since we have physical bodies through we eventually have to ground and return to a conventional time/space bound consciousness. When we return to regular consciousness we can sometimes take back some measure of the experience we had while in a trance state, though our thinking once more is limited by our concept of time/space while in a regular state of consciousness. While in a trance our thinking processes can move very far out of time/space concepts. There is different levels of trance state. In theory it is possible to trance all the way to a state of unity with all of existence and some people do experience such trances in moments. When we do divination such as runic readings or oracular seidr we are moving our consciousness outside of the constraints of time/space through some measure of trance, as much so as our skills allow us to.

Also it seems that it is popular (in old times) to raise the dead to gain knowledge from them since the dead have no living body and thus the consciousness of the dead exists outside of the bounds of time/space. Thus the dead have access to a greater level of knowledge than us living do.